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Pietro Antonio Rotari Italian painter , (b. 1707, Verona, d. 1762, St. Petersburg)
Italian painter. His artistic career began as a youthful distraction, but his talent quickly became apparent, and he entered the studio of Antonio Balestra in Verona, remaining there until he was 18. He spent the years 1725-7 in Venice and then moved c. 1728 to Rome, where he stayed for four years as a student of Francesco Trevisani. Between 1731 and 1734 he studied with Francesco Solimena in Naples before returning to Verona, where he set up his own studio and school. His most notable early independent works are multi-figured altarpieces (e.g. the Four Martyrs, 1745; Verona, church of the Ospedale di S Giacomo), which emulate 17th-century Roman and Neapolitan works. However, he also studied the smaller, more intimate paintings of Roman Baroque artists, and these influenced his later works. He fell victim to the wanderlust that appears to have been endemic to 18th-century Venetian painters, and c. 1751 he travelled to Vienna, where he was able to study works by Jean-Etienne Liotard, whose clean pictorial smoothness impressed him. He later moved to Dresden
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Painting ID:: 29343
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Pietro Antonio Rotari Countess A.M. Vorontsova MK65
oIL ONCANVAS
19 1/2X18"
Painting ID:: 29640
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Pietro Antonio Rotari Sleeping Girl Oil on canvas, 106 x 84 cm
Painting ID:: 69676
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Pietro Antonio Rotari A Girl in a Blue Dress oil on canvas painting by Pietro Rotari , El Paso Museum of Art
Painting ID:: 69731
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Pietro Antonio Rotari A Girl in a Red Dress oil on canvas painting by Pietro Antonio Rotari, El Paso Museum of Art.
Painting ID:: 70528
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Pietro Antonio Rotari Sleeping Girl Medium Oil on canvas
Dimensions 106 x 84 cm
Painting ID:: 75753
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Pietro Antonio Rotari Portrait of Grand Duchess Yekaterina Alexeyevna 1761
Oil on canvas
60 ?? 48 cm (23.6 ?? 18.9 in)
cjr
Painting ID:: 76783
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Pietro Antonio Rotari Maria Antonia of Bavaria ca. 1755(1755)
Oil on canvas
107 ?? 86 cm (42.1 ?? 33.9 in)
cjr
Painting ID:: 77522
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Pietro Antonio Rotari Portrait of Grand Duchess Yekaterina Alexeyevna Date 1761 (?)
Medium Oil on canvas
Dimensions 60 ?? 48 cm (23.6 ?? 18.9 in)
cyf
Painting ID:: 77560
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Pietro Antonio Rotari Princess Elisabeth of Saxe ca. 1755(1755)
Oil on canvas
107 ?? 86.5 cm (42.1 ?? 34.1 in)
cjr
Painting ID:: 77570
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Pietro Antonio Rotari Portrait of a Young Girl, La Penitente 18th century
Oil on canvas
cjr
Painting ID:: 77921
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Pietro Antonio Rotari Portrait of King Augustus III of Poland 1755(1755)
Oil on canvas
108 ?? 86 cm (42.5 ?? 33.9 in)
cjr
Painting ID:: 78273
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Pietro Antonio Rotari Portrait of Grand Duchess Yekaterina Alexeyevna 1761 (?)
Medium Oil on canvas
Dimensions 60 x 48 cm (23.6 x 18.9 in)
cyf
Painting ID:: 79040
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Pietro Antonio Rotari Portrait of Marie Kunigunde of Saxony (1740-1826), Abbess of Thorn and Essen, daughter of Augustus III of Poland ca. 1755(1755)
Oil on canvas
cjr
Painting ID:: 80251
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Pietro Antonio Rotari Maria Antonia of Bavaria 1755(1755)
Medium Oil on canvas
Dimensions 107 x 86 cm (42.1 x 33.9 in)
cyf
Painting ID:: 80864
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Pietro Antonio Rotari Portrait of a Young Girl 18th century
Medium Oil on canvas
Dimensions ? x cm
cyf
Painting ID:: 83028
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Pietro Antonio Rotari Self portrait 1756 (?)
Medium Oil
cyf
Painting ID:: 83636
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Pietro Antonio Rotari Portrait of Francesco Bartolomeo Rastrelli Date 18th century
Medium Oil
cyf
Painting ID:: 84263
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Pietro Antonio Rotari Portrait of Archduke Ernest of Austria 1580
Medium Oil on canvas
Dimensions 110.8 x 91.1 cm (43.6 x 35.9 in)
cyf
Painting ID:: 92761
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Pietro Antonio Rotari Queen Maria Josepha in Polish costume. 1755(1755)
Medium oil on canvas
Dimensions 86 X 108 cm (33.9 X 42.5 in)
cjr
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Pietro Antonio Rotari
Italian painter , (b. 1707, Verona, d. 1762, St. Petersburg)
Italian painter. His artistic career began as a youthful distraction, but his talent quickly became apparent, and he entered the studio of Antonio Balestra in Verona, remaining there until he was 18. He spent the years 1725-7 in Venice and then moved c. 1728 to Rome, where he stayed for four years as a student of Francesco Trevisani. Between 1731 and 1734 he studied with Francesco Solimena in Naples before returning to Verona, where he set up his own studio and school. His most notable early independent works are multi-figured altarpieces (e.g. the Four Martyrs, 1745; Verona, church of the Ospedale di S Giacomo), which emulate 17th-century Roman and Neapolitan works. However, he also studied the smaller, more intimate paintings of Roman Baroque artists, and these influenced his later works. He fell victim to the wanderlust that appears to have been endemic to 18th-century Venetian painters, and c. 1751 he travelled to Vienna, where he was able to study works by Jean-Etienne Liotard, whose clean pictorial smoothness impressed him. He later moved to Dresden
